The darbuka, also known as the darbuka, dumbek, or tabla ash-shamsiyya, is a goblet-shaped hand drum that is commonly used in Arabic and Middle Eastern music. The drum is typically made of ceramic or metal and has a tight head that is played with the fingers or with small sticks called "qarqabas."
The darbuka is believed to have originated in ancient Egypt, and has been used in various forms throughout the Middle East, North Africa, and Central Asia for thousands of years. It is a versatile instrument that can be played in a variety of musical styles, from traditional Arabic music to contemporary pop and jazz.
One of the unique features of the darbuka is its ability to produce a wide range of sounds and rhythms. The player can create different tones by striking the head of the drum in different areas, and by varying the amount of pressure applied to the head. The darbuka can also be played solo or in ensemble, and is often used as a lead instrument in Arabic music.
One of the most famous and respected darbuka players is Hossam Ramzy, He is an Egyptian percussionist and composer who has brought the instrument to the attention of a wider audience. His playing is characterized by his technical mastery and his ability to blend traditional Arabic rhythms with contemporary music styles.
The darbuka is also a popular instrument for percussion ensembles, where it is often used in conjunction with other drums, such as the riq and the bendir, to create complex rhythms and grooves.
In recent years, the darbuka has been gaining popularity around the world as more and more musicians are discovering its unique sound and versatility. It is now used in a variety of musical styles, from traditional Arabic music to contemporary Western music.
In conclusion, the darbuka is a fascinating and unique instrument that has played an important role in the music of the Middle East and North Africa for centuries. With its distinctive sound and ability to produce a wide range of timbres, it continues to inspire musicians and audiences around the world.
BY H.G.P. ZARLI